Ellaraine Lockie: Three Poems
Selected by Alexis Rhone Fancher, Poetry Editor
Nomenclature in Montana
As children, there were no body-part words
for what the cows, horses, pigs, chickens
cats and dogs were doing
But we all knew they were making babies
And that it was as good and happy
as a 60-bushel wheat crop
This simplicity moved right into our farmhouses
where language for bodily functions became necessary
My father used Pisshole and Asshole
when he told stories to his cronies
My mother preferred a more refined Number 1 Place
and Number 2 Place for my brother and me
Like they were addresses
I didn’t know anything about Number 1 1/2 Place
until its basement flooded red after I turned 14
Exploration led to the discovery that Number 1 1/2
was multistoried and that an entire finger could visit
And that it would receive and even welcome houseguests
No one talked about this kind of real estate back then
I didn’t know the word vagina until Junior Class Biology
I learned I wasn’t alone when the boy sitting behind me
whispered to his buddy that it was really a twat
A word I’d heard before in the halls
and thought was the past tense of twit
But I like thinking of it as my little piece of property
How its value increased exponentially when it served
as an annex through which two daughters passed
How it’s slowly becoming a historic site
Who knows how many men who slept there
will prove to be famous
You are SO a city girl
Carrying a plastic bag for your dog
yells the farm neighbor from her pick-up
Out for my prairie walk with Jiggs
Who is leaping through cheatgrass, sagebrush
wild flax and clover after a barn cat
She smiles, waves and drives off
before I can tell her I’m collecting wildflowers
to immortalize in handmade papers
Before I can tell her that a city girl
wouldn’t kill a five-foot rattlesnake
Or shoot a machine gun
Or slap her soon to be halter-broken
horse’s snout when he bites her
Or be addicted to every single evening
watching the sun set in the colors of essential
Or that even the city girl in me knows
that shit happens on the prairie
Why I Don’t Shower
I’m a bath person. I’ve never showered in my own home. And hardly ever anywhere else. Only when a bathtub is non-existent. Then only when my husband says it’s either a shower or a separate bed.
Like in Berlin, where I accompanied him on a business trip. There a week with a closet size bathroom. The shower like an upright coffin. After five days of cowboy baths, I prepare for the real thing. Lock all the windows and doors, so as not to wind up a Hitchcock corpse sitting in some psycho’s rocking chair.
I skeptically step into the shower stall. Turn the control handle. The first blast rates right up there with a Montana blizzard. I make three minutes of adjustments to the temperamental handle until it agrees to a tolerable temperature.
I soap up, down and around–once for each disregarded, dirt- collecting day. Now to figure out how to shave my legs when there isn’t space to bend over. The only sensible solution is to open the shower door and stick out one wet leg at a time for the shearing.
Stork balancing not being one of my strengths, I fall into the fiberglass wall repeatedly. With each imbalance, a new red line paints itself down a leg. I now see why German women don’t shave.
Next is my hair. I bend my head forward, flip hair over head, and water fills my ears. When I squeeze the shampoo tube, hydraulic force flushes the contents into my eyes.
Eyes burning and closed, I reach for the control handle but grab a steel cord instead. Something comes loose, and the hand-held showerhead hits me on my left ear. Then the water stops.
The control handle hates me by now so refuses to entertain even pathetic pleas. I stumble, soapy and nearly blind with a slight concussion, out of the stall. Slip on tile where water has escaped during the leg shave and land on my tailbone.
I crawl naked to the telephone in the freezing bedroom. The desk clerk says the shower is on a timer. But if I wait awhile, it will reset.
I limp back to the bathroom. Settle my soap-caked, bleeding body sideways on the towel-cushioned toilet and baby-talk the control handle. Just when the rash on my chest begins to itch, water emerges from the spigot. So I start the temperature guessing game all over again.
Determined this time to rinse and be out of here in record time, I am. Because suddenly the water turns scalding hot. I scream, and a man in the next room yells an apology for turning on the cold water tap in his sink.
Boiled, bruised, anemic and hearing impaired, I’m ready to see through stinging eyes the Berlin sights. Of course, they don’t care one way or the other whether I’m clean. But at least I won’t go to bed in a roll-a-way when I get back.
(Featured photo by Alexis Rhone Fancher)
ABOUT THE AUTHOR
Ellaraine Lockie is widely awarded and published, both nationally and internationally, as a poet, nonfiction book author and essayist. Sex and Other Slapsticks is her fourteenth chapbook. Earlier collections have won the Poetry Forum’s Chapbook Contest Prize, San Gabriel Valley Poetry Festival Chapbook Contest, Best Individual Collection Award from Purple Patch magazine in England, Encircle Publications Chapbook Competition and the Aurorean’s Chapbook Choice Award. Her poems have found their ways onto broadsides, buses, rented cars, bicycles, cabins, greeting cards, key chains, bookmarks, mugs, coffee sack labels, church bulletins, radio shows and cable TV. Ellaraine teaches writing workshops, frequently judges poetry contests and serves as Poetry Editor for the lifestyles magazine, Lilipoh.