Not His First Rodeo – Interview with Actor/Photographer James Storm
Actor/photographer James Storm comes from a third generation theatrical family. (He has worked in films and television for over fifty years, most famously as a member of the cast of Dark Shadows.)
Storm wanted a first baseman’s glove for his eighth birthday, but instead was given a darkroom kit by his father, a “literary guy” whose sense of commitment and work ethic made a lasting impression on young Storm. From the moment he saw his images emerge on photo paper, Storm was hooked. Influenced by photographers of the WPA era—Walker Evans, Marion Post Walcott, and Dorothea Lange, as well as mid-century master, Robert Frank—Storm has traveled from L.A. by Greyhound bus to Montana, Nebraska, and South Dakota, camera in hand.
This is definitely not his first rodeo, as the photographs of these extraordinary athletes and their animals prove. “The open road is the heartbeat of America,” James Storm always says. These photos are from trips made between 2014 and 2016, down that open road.
All photos were shot on the Professional Rodeo Circuit in Montana, including Helmville and Darby, the Nile Rodeo in Billings and the Crow Rodeo, which was held on land surrounding the Little Big Horn River near Billings. Except for the Nile Rodeo, all events were held in summer, outside, in the late afternoon.
Storm shot with the Canon 50D and the Canon 7D. For the Canon 50D, the focal length was 150-500mm, and 28-135mm. For the Canon 7D, the focal length was 28-135 and 70-200mm. Occasionally, he used a tripod with the 500mm focal length.
“I first encountered the rodeo while making a film in and around Billings, Montana in 2013. Have to say, walking to the back staging area, what struck me was the physical and mental preparation necessary to compete. I was also impressed with the camaraderie. No matter what the event, these people have each other’s backs.
“Some cowboys ride for their livelihood. Some only for the summer to make money for school, either college or high school. Some finish their ride and move on down the road to the next rodeo, sometimes working in three or four rodeos a day.
“I hope these images show rodeo riders’ unrelenting courage, fortitude, and the compassion they show their competitors and their animals. For these folks, it is truly not about the money, it’s about that big, Silver Belt Buckle.”
All photos and captions by James Storm except as noted.
Email him at: firstname.lastname@example.org
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ABOUT THE AUTHOR
Poet/photographer Alexis Rhone Fancher is published in Best American Poetry, Rattle, Hobart, Verse Daily, The New York Times, Petrichor, The MacGuffin, Plume, Tinderbox, Diode, Nashville Review, Wide Awake, Poets of Los Angeles, Pirene’s Fountain, Cleaver, Glass, Rust + Moth, Duende, The American Journal of Poetry, and elsewhere. Her books include: How I Lost My Virginity to Michael Cohen & other heart stab poems (Sybaritic Press, 2014), State of Grace: The Joshua Elegies, (2015), Enter Here, (2017), and The Dead Kid Poems, (2019), and Junkie Wife (Moon Tide Press, 2018), an autobiographical chapbook chronicling Alexis’s first, disastrous marriage. She’s been published in over 60 anthologies, including the best-selling Nasty Women Poets (Lost Horse Press, 2017), Terrapin Books’ A Constellation of Kisses, (2019),and Antologia di poesia femminile americana contemporanea, (Edizioni Ensemble, Italia, 2018). Her photographs have been published worldwide, including the covers of Witness, Nerve Cowboy, Chiron Review, Heyday, and Pithead Chapel, and a spread in River Styx. A multiple Pushcart Prize, Best Short Fiction, and Best of the Net nominee, Alexis has been poetry editor of Cultural Weekly since late 2012. She and her husband live 20 miles outside of downtown L.A., in a small beach community overlooking the Pacific. They have an extraordinary view.