How Culture Moves: LA’s CicLAvia Example
Why does some creative culture spread, while other creative culture arrives dead?
Why, for example, are people prowling the streets of Bristol, England, right now hoping to discover Banksy’s next work, while few notice when new street art appears in nearby Chippenham? Why is the worldwide movie-going audience buying advance tickets for Andrew Garfield in Spider-Man 2, and running away from Johnny Depp in Transcendence?
What makes culture move beyond the small embrace of its creator to become part of the bigger social fabric? Recently, I’ve been exploring these questions, seeking Laws of Culture that obtain independent of money. Because with a gigantic marketing budget, you can always buy awareness. But no matter how much advertising you buy, you cannot purchase desire.
When we look into the Laws of Culture, we’re really investigating desire: what causes us to experience it and want to share it.
Morning air brushes your face. As your legs cycle in rhythm, you wonder why no one else is on the street. Do you have the wrong day? The wrong time? Then, rounding a corner, you see another bicyclist and another. Soon there are five of you, now twenty, and you fold into the energy of the cycling pack, the group awareness, the power of your wheels on the pavement that starts to make cars move aside.
You anticipate, sensing excitement two blocks away, but nothing can prepare you for the emotional flush as you make the next turn to discover 10,000 more cyclists, of all ages and descriptions, at the starting point of today’s CicLAvia.
This is the experience many LA residents feel on occasional Sunday mornings in the city.
CicLAvia is a day when cars are banned from city streets, and bicycles and pedestrians take over. It’s an opportunity of urban idealism. Begun in Bogotá, Columbia, in 1976, where it is called Ciclovía and the central city closes to automobile traffic every Sunday, it has inspired similar events in more than ten countries and dozens of US cities.
No American city has adopted it more than LA. You would never have expected CicLAvia to grasp a firm hold here, but it has the city in its thrall. LA’s CicLAvia is so successful that one recent day saw 150,000 people bicycling from LA’s downtown to Venice Beach, and CicLAvia’s organizers have just launched a crowdfunding campaign to make it a monthly event. (Support them! I have!)
What would make Angelenos ditch their cars for a day? Let’s call it one of the Laws of Culture: The Law of Discovery. When we discover a way to do something we secretly hope to do, we’ll do it. LA’s car-love is mythologized in the sense that it is overstated. Most Angelenos feel ambivalent about their cars. We view then as utilitarian requirements in a spread-out city without sufficient public transportation.
When a work of creative culture, like CicLAvia, gives people the feeling that they are discovering something new—instead of making them feel force-fed—it creates desire. It is more likely to be shared and to gain momentum. CicLAvia creates the feeling of discovery because its organizers constantly change its route, and because participants approach it alone on bicycles, then suddenly, in turning one corner, discover they are part of a vast collective enterprise.
This is one way that creative culture moves and spreads—through the emotions of anticipation and discovery. It’s the Law of Discovery, and CicLAvia illustrates it on city streets for all to see.
The next Los Angeles CicLAvia will be Sunday, October 5, 2014.
Photos courtesy CicLAvia.
ABOUT THE AUTHOR
Adam Leipzig is the founder and CEO of MediaU, online career acceleration. MediaU opens the doors of access for content creation, filmmaking and television. Adam, Cultural Daily’s founder and publisher, has worked with more than 10,000 creatives in film, theatre, television, music, dance, poetry, literature, performance, photography, and design. He has been a producer, distributor or supervising executive on more than 30 films that have disrupted expectations, including A Plastic Ocean, March of the Penguins, Honey, I Shrunk the Kids, Dead Poets Society, Titus and A Plastic Ocean. His movies have won or been nominated for 10 Academy Awards, 11 BAFTA Awards, 2 Golden Globes, 2 Emmys, 2 Directors Guild Awards, 4 Sundance Awards and 4 Independent Spirit Awards. Adam teaches at UC Berkeley's Haas School of Business. Adam began his career in theatre; he was the first professional dramaturg in the United States outside of New York City, and he was one of the founders of the Los Angeles Theatre Center, where he produced more than 300 plays, music, dance, and other events. Adam is CEO of Entertainment Media Partners, a company that navigates creative entrepreneurs through the Hollywood system and beyond, and a keynote speaker. Adam is the former president of National Geographic Films and senior Walt Disney Studios executive. He has also served in senior capacities at CreativeFuture, a non-profit organization that advocates for the creative community. Adam is is the author of ‘Inside Track for Independent Filmmakers ’ and co-author of the all-in-one resource for college students and emerging filmmakers 'Filmmaking in Action: Your Guide to the Skills and Craft' (Macmillan). (Photo by Jordan Ancel)
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