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Brian Ufberg, Editor

Brian Ufberg began his career editing home movies at the age of 8, and he hasn’t stopped. “I love movies with great characters, and collaborating with talented people is the best way to have fun,” Brian says. “I really get into finding just the right way to cut a scene to reveal character, story and mood all at the same time.”
Although Brian doesn’t splice Super-8 film with scissors and tape any more, he’s still as enthusiastic as he was when he was a kid.
 


 

Brian Ufberg, Editor
Member IATSE Local 700

METHOD TO THE MADNESS OF JERRY LEWIS
Starz Entertainment; Director: Gregg Barson; Editor: James Ruxin
Position: Additional Editor
IDES OF MARCH
Sony Pictures; Director: George Clooney; Editor: Stephen Mirrione
Position: First Assistant Editor
CONTAGION
Warner Bros; Director: Steven Soderbergh; Editor: Stephen Mirrione
Position: Assistant Editor
RED
Summit Entertainment; Director: Robert Schwentke; Editor: Thom Noble
Position: Assistant Editor
BIUTIFUL
Roadside Attractions; Director: Alejandro Gonzalez Inarritu; Editor: Stephen Mirrione
Position: First Assistant Editor
IN THE DRINK
Director: Richard Sears; Editor: Stephen Mirrione
Position: Additional Editor
FOUR CHRISTMASES
New Line Pictures; Director: Seth Gordon; Editor: Stephen Mirrione
Position: First Assistant Editor
LEATHERHEADS
Universal Pictures; Director: George Clooney; Editor: Stephen Mirrione
Position: First Assistant Editor
ZODIAC
Warner Bros/Paramount; Director: David Fincher; Editor: Angus Wall
Position: Assistant Editor
GOOD NIGHT AND GOOD LUCK
Warner Independent; Director: George Clooney; Editor: Stephen Mirrione
Position: First Assistant Editor-Avid
PINK PANTHER
MGM; Director: Shawn Levy; Editor: George Folsey
Position: First Assistant Editor-Avid
ELVIS HAS LEFT THE BUILDING
Capitol Films; Director: Joel Zwick; Editor: Heather Persons
Position: Associate Editor
21 GRAMS
Focus Pictures; Director: Alejandro Gonzalez Inarritu; Editor: Stephen Mirrione
Position: First Assistant Editor-Avid
THE IN-LAWS
Warner Bros/Franchise Pictures; Director: Andy Fleming; Editor: Mia Goldman
Position: First Assistant Editor-Avid
BEYOND BORDERS
Paramount Pictures/Mandalay Pictures; Director: Martin Campbell; Editor: Nick Beauman
Position: First Assistant Editor-Avid
THIRTEEN CONVERSATIONS ABOUT ONE THING
Stonelock Pictures; Director: Jill Sprecher; Editor: Stephen Mirrione
Position: Additional Editor
THE SIXTH DAY
Columbia Pictures; Director: Roger Spottiswoode; Editors: Dominique Fortin, Mark Conte
Position: Avid Assistant Editor
X-MEN
20th Century Fox; Director: Brian Singer; Editors: Steve Rosenblum, John Wright
Position: Avid Assistant Editor
LOST SOULS
New Line Cinema; Director: Janusz Kaminski; Editor: Anne Goursaud
Position: First Assistant Editor
WHY DO FOOLS FALL IN LOVE
Warner Bros; Director: Greggory Nava; Editor: Nancy Richardson
Position: First Assistant Editor-Avid
TROJAN WAR
Warner Bros.; Director: George Huang; Editor: Ed Marx
Position: Associate Editor – Avid
THE SUBSTITUTE
Live Entertainment; Director: Robert Mandel; Editor: Alex Mackie
Position: Associate Editor
12 MONKEYS
Universal Studios; Director: Terry Gilliam; Editor: Mick Audsley
Position: First Assistant Editor
INTERVIEW WITH THE VAMPIRE
Warner Bros.; Director: Neil Jordan; Editor: Mick Audsley
Position: First Assistant Editor
HERO
Columbia Pictures; Director: Steven Frears; Editor: Mick Audsley
Position: First Assistant Editor
FREEJACK
Morgan Creek Pictures; Director: Geoff Murphy; Editor: Dennis Virkler
Position: Assistant Visual Effects Editor
THE HUNT FOR RED OCTOBER
Paramount Pictures; Director: John McTiernan; Editor: Dennis Virkler
Position: Assistant Editor
THE GRIFTERS
Miramax Films; Director: Steven Frears; Editor: Mick Audsley
Position: Assistant Editor

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