Suzanne Lummis, noted practitioner and exponent of NOIR POETRY, unpacks a genre infused with the ethos of mid-20th Century hard-boiled fiction and crime movies, presenting examples from poets both living and “quite dead.” An influential teacher through the UCLA Extension Writers' Program and co-founder of the Los Angeles Poetry Festival, Lummis produced a 2011 city-wide, 25-event series, “Night in the City: L.A. Noir Poetry, Fiction and Film.” Her 2012 essay “The Poem Noir — Too Dark to Be Depressed” (Malpais Review, Vol. 3, No. 3) is essential reading on the subject. Lummis was awarded a 2018/19 C.O.L.A. (City of Los Angeles) fellowship to create a series of new poems. Her most recent collection is Open 24 Hours (Lynx House Press). Her poems have appeared in three Knopf "Everyman's Poetry" anthologies, including Killer Verse: Poems of Murder and Mayhem, and in The Antioch Review, New Ohio Review, Plume, The American Journal of Poetry and The New Yorker. She edited the anthology "Wide Awake: Poets of Los Angeles and Beyond" (Pacific Coast Poetry Series/Beyond Baroque Books) named one of the Ten Best Books of 2015 in the Los Angeles Times. (Photo by Alexis Rhone Fancher)
Mood Sultry The scholars like to say film noir’s imbued with a sense of menace and dread. Yeah, yeah, we know—sure. But not always. Sometimes it’s imbued with something else. People forget that the most ...
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